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  RED TROUSERS Roddy Northfield’s colt.

  SIMONE DE BEAUVOIR A mighty French mare.

  TO DIE FOR A mighty American mare.

  NOONDAY SILENCE A Japanese success story.

  MOBILE CHARGER Colt trained by Tommy Westerham.

  PROLOGUE

  Rutshire, 1786

  The last race should have been called off, as the twin saboteurs, night and fog, crept stealthily over the course. Rutminster Cathedral spire, a landmark for miles around, was no longer visible. The Bishop of Rutminster, battling to ban racing, could identify neither rabble nor runners as he peered furiously out of his palace window.

  Nor had bitter cold nor relentless drizzle dispersed a vast crowd, swarming round the betting posts, clamouring to watch the most eagerly awaited race in years – despite there being only two contenders.

  The first was Rupert Black, a young adventurer, hellraiser, hard drinker and womanizer, who possessed the hauteur of beauty, but not of birth. His father was a small Northern racehorse trainer, and in the late eighteenth century, trainers were regarded as no higher than grooms.

  Rupert Black had no income and fewer principles, but was such an amusing fellow that a fast aristocratic set had taken him up, welcomed him into their houses and let him advise them on bloodstock – about which he was clearly an expert.

  Rupert Black had been called ‘Blackguard’ and ‘Black Sheep’, but was more often nicknamed ‘Rupert of the Roan’ because of his dashing cavalry charges on the hunting field and his beautiful blue roan mare, Sweet Azure, whom he was riding in the race ahead.

  Pitted against him on a vastly superior horse called Spartan was the Hon. James Northfield, elder son of the fourth Baron Northfield, who owned 2,000 Cotswold acres, which included Rutminster Racecourse.

  The austere, scholarly James, who had hitherto shown little interest in the estate or in women, had then outraged his parents and scandalized society by impregnating one of his mother’s kitchenmaids: a pretty Dutch girl called Gisela. Even more scandalously, he had then secretly married her.

  The Hon. Rufus Northfield, except for having the same dark auburn hair, sallow complexion and close-set, fox-brown eyes, was a total contrast to his older brother James. A crack shot and rider, the inseparable crony of Rupert Black, Rufus loved the land and carousing with his father’s tenants. Despite his profligate behaviour, Rufus was showing signs of calming down, having just become betrothed to a rich and well-born local beauty.

  At the ball given by Lord and Lady Northfield to celebrate this engagement, James’ new wife, Gisela, had nearly died of embarrassment after her husband had insisted she attend: only for her to be sneered at by the guests and served by the very servants on whom she had waited in the kitchen.

  Worse was to come when the loathsome Rupert Black, already in his cups and having fluttered the pulses of all the ladies, had wandered up to her. Sliding a too-high hand around her thickening waist and squeezing her breast, he mockingly handed her a late wedding present. It turned out to be a copy of Pamela, Samuel Richardson’s wildly popular novel about a servant girl fighting for her virtue in the house of a lecherous master.

  ‘Richardson could have been writing about you,’ drawled Rupert, causing a ripple of laughter to run through several female guests who’d gathered around.

  To their disappointment, however, Rupert showed no desire to dance with any of them and instead retired to the gambling tables in an attempt to reduce his debts and finish paying for a colt called Third Leopard, whose owner was threatening to sell him elsewhere.

  As he raked in his winnings – a pile of sovereigns as gold as his hair – Rupert Black was singing the praises of his mare Sweet Azure, whom he might have been forced to sell if things didn’t pick up.

  ‘Like all good fillies,’ he said insolently, so a passing James Northfield could hear, ‘she has the face of an angel and the posterior of a cook – not unlike your new wife, James.’

  Looking down at Rupert’s cruel, unsmiling face, its beauty hardly impaired by bloodshot, slightly crossing blue eyes, James, who loved his wife, upended the table; and, as coins scattered all over the floor, he challenged Rupert to a duel.

  ‘A better idea,’ suggested Rupert to noisy cheers, ‘would be a match race between Spartan and Sweet Azure round Rutminster Racecourse on the old track through the woods, the loser giving the winner four thousand guineas.’ And, as the Northfields owned the racecourse, it was arranged in front of witnesses that the contest would take place after the final race on the following Saturday.

  Throughout that Saturday, rumours swirled round more thickly than the fog. Many of the gentry rolled up on horseback after a day’s hunting and were instantly engulfed by pickpockets, drunkards, prostitutes, cutpurses and gypsies telling fortunes, crowding round the betting posts as the money poured in.

  Northfield had the finer horse, Black was the finer rider. But, although lithe and lean, at six feet tall, Rupert was twelve pounds heavier than the weedy James – twelve pounds which Sweet Azure, far smaller and slighter than Spartan, would have to carry over four miles. Yet Black was still the favourite.

  The fog was thickening, ghost-grey, suffocating and blurring everything. As James pulled on his boots, he was reminded of Leonardo da Vinci’s treatise on painting, which claimed that objects seen through fog will loom larger than they are. In fact, James had been so busy writing his own treatise on Leonardo that, unlike Rupert Black, he hadn’t bothered to walk the course.

  The only person apart from the Bishop of Rutminster not at the races was Gisela Northfield, who, fighting all-day sickness, was in the cathedral praying for her husband’s safe return.

  Down at the start in the water meadows, oak trunks darkened by rain, like towers in the twisting vapours, were just distinguishable from the black wooded hillside beyond. Once again, the starter questioned whether the race should be run.

  ‘I can see well enough,’ mocked Rupert Black, who was already mounted, ‘to notice the sweat of fear glistening on James Northfield’s face and to have no difficulty recognizing the winning post.’

  James didn’t reply. He was having difficulty merely climbing aboard the plunging, insufficiently ridden Spartan. More so when Hibbert, his groom, let go of the reins in order to contain Seeker, James’ white mastiff, who was fighting to join the race and follow his master.

  The crowd huddled together, unwilling to lose their places on the rail, blowing on their fingers, drinking from bottles which they might later throw at a losing horse, and shouting to keep warm. Their roar could almost be heard in Newmarket, miles away, as the two riders splashed off across the water meadows and up on to a track that ran round the wooded bowl of hills, before dropping back down to the water meadows for the finish.

  It was colder and more claustrophobic up in the woods. The going was as slippery as the fat from the roasting capon Gisela had spilled over the floor, the first time shy James had stolen a kiss.

  Leaves blew into the horses’ faces and lay in a treacherous carpet over arthritic roots, fallen twigs, Cotswold stones, rabbit holes and badger setts. Not to mention the sinister coils of Old Man’s Beard hanging from overhead branches, waiting to garrotte a passing rider. As the track grew narrower from being little used, James Northfield cursed himself for not walking the course.

  The bellow of the impatient crowd rose to a deafening climax, then turned to a groan as a horse and rider eventually emerged from the woods, parting the thick grey curtain of mist and splashing back across the water meadows. Both were so coated with dark-brown mud, they were assumed to be James Northfield and Spartan. But as they galloped up the straight, the groan became a thunderous cheer again, as the mob distinguished the flying gold curls of a rider, almost too big for his gallant little mare. Instantly the jubilant mounted spectators peeled off to follow the pair up the course to the winning post.

  But as time ticked away there was no sign of the Honourable James.

  ‘I lost him about two miles back, just
above Walker’s Mill,’ Rupert told the stewards as he removed his saddle to weigh in.

  Sweet Azure stood desperately panting with drooping head, steam pouring out of inflated red nostrils. From the wheals on her quarters and her bleeding flanks, it was clear that neither whip nor spur had been spared. Rufus Northfield, overjoyed because he’d backed his friend very heavily, ordered Rupert’s groom to cover the damage with a rug.

  Then everyone waited and waited for James Northfield and Spartan, until Seeker the mastiff broke away from Hibbert the groom and plunged back into the dark in search of his master. No one else left. The crowd had closed round the betting posts to stop any bookmaker doing a runner. Then over the shouting and celebration came the unearthly howl of a dog.

  It took time to light torches, then stumbling and sliding through the darkening woods, a party of mounted stewards set out. After two miles, they at last identified the ghostly white form of Seeker, still howling on the side of the track. As the distraught animal refused to let anyone closer, he had to be shot before Spartan’s body was discovered slumped at the bottom of a fifty-foot ravine. Beneath the horse, his back and neck broken, lay James Northfield.

  Next day the fog cleared, but rumour writhed round more thickly and darkly, particularly when, by the ravine, two sets of hoof-prints were discovered side by side, accompanied by much skidding. Only the smaller set of footprints passed onwards.

  But as Rupert Black, refusing to admit he had blue blood on his hands, pointed out, he and Sweet Azure must have passed the spot a good ten minutes before James and Spartan – and both riders must have taken an identical route to avoid a big sycamore branch that had fallen across the track.

  Darker rumours suggested that Rupert could have been egged on by Rufus, whose extravagant tastes were hampered by the enforced poverty of a younger son. Any suggestions of foul play, however, were quashed by the Northfield family, who owned the racecourse and probably the local constabulary. Refusing to blame Rupert, they honourably paid him the four thousand guineas. This, added to his winnings from the vast sum he had wagered on himself and Sweet Azure, enabled him to complete the payments on Third Leopard.

  Did the Northfields feel a secret relief? James had always been a difficult, introspective son. Rufus, particularly when guided by his sensible new wife, would run the estate far better. Privately, Lord Northfield had never forgiven James for stealing from him the fair Gisela, on whom he too had had designs. After a few weeks, nemesis struck and his Lordship was punished by a fatal heart attack.

  The timid, heartbroken Gisela was speedily paid off and sent packing back to Holland. Although she wrote occasionally to Mrs Jenkins the cook, by the time she gave birth, the title had already passed to Rufus.

  Gisela, who had never ceased to mourn James, sank into despair and took her own life. No one in Rutminster bothered to find out if she had given birth to a daughter or a son.

  Meanwhile, Third Leopard, who was both a direct descendant of the Darley Arabian and grandson of the mighty Eclipse, was trained by Rupert Black into a great horse, winning numerous races including the oldest classic, the St Leger, which had been established in 1776.

  At stud, Third Leopard was even more successful, siring 400 sons and daughters, who in turn won many classics, notching up 822 victories. This for several years made the stallion the country’s Leading Sire, during which time his master Rupert was able to charge a massive stud fee of fifty guineas. With riches pouring in, Rupert Black became a grand gentleman, marrying, like Rufus Northfield, a rich, well-born beauty, a Miss Campbell, whose ancestors had fought bravely for the Royalists in the Civil War, and who joined her name with his. The Campbell-Blacks bought a beautiful house in Penscombe overlooking a wooded Gloucestershire valley, where horses have thrived ever since.

  The marriage was successful. If Mrs Campbell-Black corrected her husband Rupert’s pronunciation a little too often, he could always find solace in the adulation of the neighbouring belles.

  Such was his hubris, he and Third Leopard were even painted by Stubbs in a country landscape with a pale-gold house peering out of dark-green trees, with olive-green lawns flowing down to a lake on which floated swans.

  Normally Stubbs immortalized legendary racehorses held by grooms identified by name. But Rupert Black insisted on aping the Prince Regent. Like Prinny he was dressed in tight white breeches and brown topped boots, with a wide-brimmed hat tipped over his Greek nose and flaxen curls flowing over the collar of a long, brass-buttoned riding coat, which emphasized his strong, lithe body. A frilled white shirt showed off the perfect jawline and a passionate but ruthless mouth. Rupert Black was also portrayed like Prinny, trotting past with a triumphant wave of his whip: ‘Haven’t I and this great horse done well.’

  And yet to this day, no one – least of all Rupert Black’s descendants – likes to ride or walk in Rutminster woods at dusk. There have been too many sightings of pale riders on dark horses and howling white mastiffs. Even hounds in full cry on late winter afternoons have always turned away, whimpering, if a fox has run into the woods.

  1

  On a stiflingly hot June evening, some 225 years later, Rupert Campbell-Black, the great-great-great-great-great-great-grandson of Rupert Black, looked out of his office in the west wing of the same pale-gold Queen Anne house at Penscombe.

  The same lake still glittered as sweetly azure as his ancestor’s blue roan mare in the June sun, but to the right of the olive-green lawns and down the valley sprawled a giant complex of a racing yard, entitled Rupert Campbell-Black Racing. This was surrounded by a tangle of gallops for all weathers and distances, a stud farm, Penscombe Stud, helicopter pad, hangar, lorry park, staff cottages, and lush paddocks, with plenty of shade to safeguard every kind of racehorse: stallions, visiting mares, mares in foal or with foal, yearlings and horses in training.

  But Rupert Black’s descendant didn’t feel any great pride as he scrolled through the emails still congratulating him on his three-thousandth win, or his Grand National victory with a mare called Mrs Wilkinson back in April or the 2000 Guineas back in May. He was merely irritated not to have won the Derby earlier in the month.

  Nor did he bother to read more emails pouring in to congratulate him on the speech he’d made at Billy Lloyd-Foxe’s memorial service yesterday, a task he’d found harder than winning an Olympic Gold in Los Angeles with a trapped nerve years ago. He had never dreamed how wiped out he would be by Billy’s death. Billy, his inseparable companion of fifty years, joined at the hip, finishing each other’s jokes, rejoicing in every success.

  Rupert looked down at his speech.

  ‘This was the noblest rider of them all,’ he had told a packed Rutminster Cathedral congregation which had spilled out over the water meadows. Then he had regaled them with stories about his and Billy’s antics at prep school and Harrow, hell-raising on the showjumping circuit, fighting for a television franchise, moving on to Billy’s career as equine correspondent for the BBC.

  ‘Nothing in Billy’s life became him like the leaving of it,’ he had ended. ‘He bore pain and illness with equal fortitude, but the happiest moment of his life came at the end, when his daughter Amber won the Grand National on a little one-eyed mare called Mrs Wilkinson.

  ‘Billy had an equally marvellous little horse called The Bull on whom he’d won a silver medal. “I hope I see The Bull again,” were his last words. I’m sure Billy’s riding The Bull across the clouds. Lucky heaven, to have both of them.’ Bloody mawkish that, Rupert thought wryly.

  The party afterwards, most of which he’d paid for, resulted in him having a blazing row with Billy’s widow Janey, who’d made a drunken and soppy speech, repeatedly quoting the line: ‘That’s the way for Billy and me’, while boasting of the over 3,019 letters of sympathy she had received. She was furious Rupert hadn’t praised her as a wonderful wife.

  ‘You were a fucking awful wife,’ Rupert had snarled back. ‘Billy’d be alive today if he hadn’t been permanently stressed by you squ
andering his money and fucking other men.’

  This had also resulted in a rare screaming match between Rupert and his wife Taggie, who’d ticked him off before rushing away to comfort Janey.

  Rupert was sure Janey would take the opportunity to solicit an invitation to move back into Lime Tree Cottage, the little seventeenth-century house in Rupert’s woods nearby, which she and Billy had lived in rent-free when they were first married. If Janey returned, Rupert knew she’d be hanging round, playing the grieving widow, reminding him of Billy for the rest of his life.

  Last night’s row with Taggie had ended up with her sleeping in the spare room and their not speaking all day. He was tempted to ring her in the kitchen and make it up. Instead he poured himself another glass of whisky.

  On the wall opposite were monitors on which he could watch his own horses and the progeny of his stallions and brood mares winning races all over the world. On the left wall, flanked by framed photographs of victorious horses, hung the Stubbs of Rupert Black and Third Leopard, winner of the St Leger and for five years Leading Sire.

  Today there were two ways a horse could become Leading Sire: either if he were the stallion whose offspring had clocked up the most wins in a year, or, more importantly, if those offspring had earned the most prize money. Verdi’s Requiem, a dark-brown Irish Triple Crown winner, had topped the Leading Sire charts for Great Britain and Europe for fifteen years but now, aged twenty-five, his reign must be drawing to a close.

  Opening the Racing Post, Rupert noted Bloodstock News had predicted a bloody battle to topple Verdi’s Requiem between Rupert Campbell-Black’s Love Rat and Isa Lovell’s Roberto’s Revenge. Rupert ground his teeth. Isa Lovell, ex-champion jockey and ex-son-in-law, had worked uneasily for Rupert for ten years, learning everything he could about training and breeding before defecting to start his own yard directly in competition with Rupert.